The Problem of the Hero in the Soviet Cinematography of the 1930th
Authors:
About authors
- G.V. Plekhanov Saint Petersburg Mining Institute
Abstract
This paper is dedicated to the concept «new hero» in the movies of early totalitarianism. Mythic qualities of the character and original specificity of images of Room’s Strogiy Yunosha and Riefenstahl’s Olympia are discussed hereinafter.
Область исследования:
(Archived) Problems of humanitarianization of education in a technical university
Similar articles
The stylization technique as a topological constant in the works of Rudyard Kipling
2008 T. V. Surganova
Teaching the skills of semantic-grammatical analysis in the course of semantic information processing of foreign language scientific text
2008 V. V. Makhova, S. E. Kharzeeva